homecoming queen Curated by Annabelle McEwen
22/8/24 - 7/9/24
Fergus Berney-Gibson
Alice Martin
Sadie Whelan
Fergus Berney-Gibson, The pig farmer had long since stopped believing in God, 2024, textile ink on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm
Alice Martin, Mantel, Piece, 2024, beeswax, wood and debris, dimensions variable, Fergus Berney-Gibson, Before the pneumonia, you were a stocky Boy, 2024, aluminium and polyepoxide, dimensions variable, Fergus Berney-Gibson, I’m uncomfortable when you’re in the House 2024, solvent on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm
Sadie Whelan, Consolation Nor Grace, 2024, gel medium transfer on plywood, dimensions variable
Alice Martin, the perfect pinecone, 2024, brown microcrystaline wax, dimensions variable
Fergus Berney-Gibson, It’ll be Real Nice, 2024, solvent and textile ink on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm
Sadie Whelan, Fluid And Useful, 2024, concrete, plaster, fake flowers, pink pigment, 20cm x 7cm
Fergus Berney-Gibson, Before the pneumonia, you were a stocky Boy, 2024, aluminium and polyepoxide, dimensions variableSadie Whelan, Cardinal Signifier, 2024, concrete, iron gate, acrylic, plywood, foam, canvas, gel medium transfer, dimensions variable
Fergus Berney-Gibson, The golden boy and his infamous glass Eye, 2024, solvent on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm
Alice Martin, Lying, Down, 2024, beeswax, wood and debris, dimensions variable
Alice Martin, Lying, Down (2), 2024, beeswax, wood and debris, dimensions variableAlice Martin, the perfect pinecone, 2024, brown microcrystaline wax, dimensions variableFergus Berney-Gibson, I’m uncomfortable when you’re in the House 2024, solvent on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm Fergus Berney-Gibson, The golden boy and his infamous glass Eye, 2024, solvent on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm Alice Martin, Lying, Down (2), 2024, beeswax, wood and debris, dimensions variable, Fergus Berney-Gibson, It’ll be Real Nice, 2024, solvent and textile ink on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cmSadie Whelan, Cardinal Signifier, 2024, concrete, iron gate, acrylic, plywood, foam, canvas, gel medium transfer, dimensions variableAlice Martin, the perfect pinecone, 2024, brown microcrystaline wax, dimensions variableAlice Martin, the perfect pinecone, 2024, brown microcrystaline wax, dimensions variableAlice Martin, Mantel, Piece, 2024, beeswax, wood and debris, dimensions variable, Fergus Berney-Gibson, Before the pneumonia, you were a stocky Boy, 2024, aluminium and polyepoxide, dimensions variable, Fergus Berney-Gibson, I’m uncomfortable when you’re in the House 2024, solvent on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm Sadie Whelan, Cardinal Signifier, 2024, concrete, iron gate, acrylic, plywood, foam, canvas, gel medium transfer, dimensions variableAlice Martin, the perfect pinecone, 2024, brown microcrystaline wax, dimensions variableFergus Berney-Gibson, The pig farmer had long since stopped believing in God, 2024, textile ink on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cmSadie Whelan, Cardinal Signifier, 2024, concrete, iron gate, acrylic, plywood, foam, canvas, gel medium transfer, dimensions variableAlice Martin, Mantel, Piece, 2024, beeswax, wood and debris, dimensions variable, Fergus Berney-Gibson, Before the pneumonia, you were a stocky Boy, 2024, aluminium and polyepoxide, dimensions variable, Fergus Berney-Gibson, I’m uncomfortable when you’re in the House 2024, solvent on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm, Alice Martin, Lying, Down (2), 2024, beeswax, wood and debris, dimensions variable