homecoming queen

Curated by Annabelle McEwen

22/8/24 -  7/9/24

Fergus Berney-Gibson
Alice Martin
Sadie Whelan
 


Zine / Room Sheet / Exhibition Text


Fergus Berney-Gibson, The pig farmer had long since stopped believing in God, 2024, textile ink on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm
Alice Martin, Mantel, Piece, 2024, beeswax, wood and debris, dimensions variable, Fergus Berney-Gibson, Before the pneumonia, you were a stocky Boy, 2024, aluminium and polyepoxide, dimensions variable, Fergus Berney-Gibson, I’m uncomfortable when you’re in the House 2024, solvent on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm 
Sadie Whelan, Consolation Nor Grace, 2024, gel medium transfer on plywood, dimensions variable
Alice Martin, the perfect pinecone, 2024, brown microcrystaline wax, dimensions variable
Fergus Berney-Gibson, It’ll be Real Nice, 2024, solvent and textile ink on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm

Sadie Whelan, Fluid And Useful, 2024, concrete, plaster, fake flowers, pink pigment, 20cm x 7cm
Fergus Berney-Gibson, Before the pneumonia, you were a stocky Boy, 2024, aluminium and polyepoxide, dimensions variable
Sadie Whelan, Cardinal Signifier, 2024, concrete, iron gate, acrylic, plywood, foam, canvas, gel medium transfer, dimensions variable
Fergus Berney-Gibson, The golden boy and his infamous glass Eye, 2024, solvent on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm 
Alice Martin, Lying, Down, 2024, beeswax, wood and debris, dimensions variable
Alice Martin, Lying, Down (2), 2024, beeswax, wood and debris, dimensions variable
Alice Martin, the perfect pinecone, 2024, brown microcrystaline wax, dimensions variable
Fergus Berney-Gibson, I’m uncomfortable when you’re in the House 2024, solvent on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm 
Fergus Berney-Gibson, The golden boy and his infamous glass Eye, 2024, solvent on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm 
Alice Martin, Lying, Down (2), 2024, beeswax, wood and debris, dimensions variable, Fergus Berney-Gibson, It’ll be Real Nice, 2024, solvent and textile ink on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm
Sadie Whelan, Cardinal Signifier, 2024, concrete, iron gate, acrylic, plywood, foam, canvas, gel medium transfer, dimensions variable
Alice Martin, the perfect pinecone, 2024, brown microcrystaline wax, dimensions variable
Alice Martin, the perfect pinecone, 2024, brown microcrystaline wax, dimensions variable
Alice Martin, Mantel, Piece, 2024, beeswax, wood and debris, dimensions variable, Fergus Berney-Gibson, Before the pneumonia, you were a stocky Boy, 2024, aluminium and polyepoxide, dimensions variable, Fergus Berney-Gibson, I’m uncomfortable when you’re in the House 2024, solvent on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm 
Sadie Whelan, Cardinal Signifier, 2024, concrete, iron gate, acrylic, plywood, foam, canvas, gel medium transfer, dimensions variable
Alice Martin, the perfect pinecone, 2024, brown microcrystaline wax, dimensions variable
Fergus Berney-Gibson, The pig farmer had long since stopped believing in God, 2024, textile ink on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm
Sadie Whelan, Cardinal Signifier, 2024, concrete, iron gate, acrylic, plywood, foam, canvas, gel medium transfer, dimensions variable
Alice Martin, Mantel, Piece, 2024, beeswax, wood and debris, dimensions variable, Fergus Berney-Gibson, Before the pneumonia, you were a stocky Boy, 2024, aluminium and polyepoxide, dimensions variable, Fergus Berney-Gibson, I’m uncomfortable when you’re in the House 2024, solvent on lamb leather (Australian automobile upholstery seconds), 23 x 30.6cm, Alice Martin, Lying, Down (2), 2024, beeswax, wood and debris, dimensions variable











Photography: Annabelle McEwen