FUNDRAISER 2024

Carolyn Craig, the surface of her debris (implements that touch), 2024, etching cast in plaster, 36 x 36 cm
Freyja Fristad, white gum (sepia), 2023, linocut relief on somerset, edition 1/5, 50 x 45 cm
Casey Chen, Colour Red, 2023, Glazed earthenware, china paint, Oak timber, Tile adhesive, grout, 23 x 34 cm
Annabelle McEwen, Corporeal Data Scan_3, 2023, dye sublimation print on aluminium, 35.5 x 27.9 cm
Damian Dillon, bloodflowers red, 2024, unique photo emulsion on white steel, 30 x 50 cm
Tommy Carman, Untitled, 2023, inkjet print on Ilford smooth gloss, acrylic and enamel on canvas, 46 x 38.5 cm
Christopher Hanrahan, Animal Piss, it’s Everywhere (for CG), 2023, oil and acrylic on board in artist’s frame, 15 x 20 x 2.5 cm
Orson Heidrich, Multispec - Suspension, Giclee Print, Epoxy Resin, Perspex, 39 x 43 cm
Brodie Cullen, Bird Shit Study, 2024, acrylic and chewing gum on canvas, 76.5 x 66.5 cm
Mitchel Cumming, Not in it but of it, 2017, stainless steel, LDPE mesh, 7.5 x 7.5 x 6.6 cm
Bruce Reynolds, Centaur, 2014, cast hydrocal, ~ 52 x 36 cm
Scott Woodbridge, Untitled (Soft Landing Series), screen print on felt with carpet binding, 52 x 52 cm
David Manley, Sound Mirror #1, 2024, inkjet print, 25 x 25 cm
Daniel Mudie Cunningham, Funeral Songs, 2007 – 2012, printed 2023, offset lithographic print, edition 30/50, 100 x 70 cm
Anthea Duffy, Fan, 2024, pigmented polyurethane resin, gold leaf, 15 x 20 cm
Sam Stephenson, Light boxes, 2022, matt silver gelatin print, 12.5 x 18 cm
Emily Taylor, Reina, 2023, collage, 21 x 29.7 cm
Geoff Kleem, Autumn, 2020, inkjet print, 55 x 35 cm
Gigi Malherbe, Ophelia diptych, 2023, acrylic on canvas, 25.4 x 25.4 cm (each) 
Rolande Souliere, Triangle, 2012, industrial reflective sheeting, metal disks, 15cm diameter 
Corey Black, Moribund, 2024, framed digital print on Hahnemuhle German etching paper, 26 x 22 x 3 cm
Ali Noble, Lady Shield, 2018, plywood, paint, velveteen and glue, 50 x 29 cm
Bridie Lunney, The ocean doesn’t want me today, 2024, brass faucet melted at 1000 ‘c, mirror, 16 x 11 cm
Joan Ross, I could still hear your whistling, 2024, 26 x 27 cm
Jake Starr, The New Leviathan, 2023, dye sublimation print on aluminium, 60 x 36 cm
Justine Roche, What We See, 2023, wet plate collodion on aluminium (timber frame), 16.8 x 14.3 x 3.5 cm
Leslie Rice, BUNYIP WALLOWING IN A BILLABONG (NOT PISS), 2024, ink on paper, 17 x 22 cm
Nina Radonja, Schticky Stuff, 2023, oil on aluminium, 30 x 30 cm
Mitch Davis, grey alien, 2024, found textiles, 48 x 38 x 3cm
Lisa Jones, Beneath our Feet, 2023, pencil on khadi paper 360gsm, 30 x 30 cm
Phil James, Log Portraits, ink on paper, 21 x 15 cm (each)
Patrick Hartigan, Sculpture, 2007, water and ink on paper, 21 x 15 cm
George Squires, Fresh Lick, 2024, cast pigmented encaustic, steel nails, pencil, and found synthetic polymer on particleboard
Richard Glover, Manhole cover, London, 1997, selenium-toned silver gelatin print, 40.5 x 30.5 cm
Ruark Lewis, Oceania, 2024, oil and wax on canvas board, 20 x 25 cm
Taylor Steel, Fracture, 2024, screen print and enamel on aluminium, 39 x 30 cm
Jacqueline Bradley, Entry Points, 2023, cast glass raspberries - Pate de vere, dimensions variable, unlimited edition
Sadhbha Cockburn, Stitch sample #1, 2024, plaster, house paint, Gyprock plasterboard, antique glacé cotton, 16 x 14 x 3.5 cm
Chris Leaver, Monkey Business, 2023, print, 15 x 15 cm
Luis Gregory, Untitled, 2024, box straps, box strap clips, ducting pipe, 26 cm radius













Photography: Annabelle McEwen